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Read in 2009

Jose Saramago / Year of the Death of Ricardo Reis
Thomas Mann / The Magic Mountain
Mikhail Bulgakov / The Master and Margarita
Cormac McCarthy / The Crossing
Graham Greene / The Power and the Glory
Virginia Woolf / Mrs. Dalloway
Bill Davis / Mass Appeal
Chris Adrian / A Better Angel
Nam Le / The Boat
William Gass / Tests of Time
Haruki Murakami / Blind Willow, Sleeping Woman
Colson Whitehead / Sag Harbor
Karen Russell / St. Lucy's Home for Girls Raised by Wolves
Virginia Woolf / Orlando
Walker Percy / The Moviegoer
Michael Ondaatje / In The Skin of A Lion
Nicole Krauss / Man Walks Into a Room
James Joyce / Ulysses
Steig Larsson / Girl With the Dragon Tattoo
Nicholas Christopher / A Trip to the Stars
Randall Jarrell / No Other Book
William Gass / Habitations of the Word
Thomas Pynchon / Inherent Vice
Lorrie Moore / Self Help
Clarice Lispector / Near to the Wild Heart
Italo Calvino / If On A Winter's Night A Traveler
Aleksander Hemon / The Lazarus Project
Steig Larsson / The Girl Who Played With Fire
Sarah Hall / How to Paint a Dead Man
Dave Eggers / Zeitoun

3 July

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John Wayne’s controversial pro-war vehicle “The Green Berets” was one of only a handful of popular films produced during the Vietnam war. When it was released in 1968 Roger Ebert, a film critic, gave it zero stars, and eviscerated it for being “offensive” and “dishonest.” More nuanced efforts, such as “The Deer Hunter” and “Apocalypse Now,” came ten years later.

Like Vietnam, Iraq is a complicated and unpopular conflict, and few seem to be ready to see it dramatised on screen. Back in early 2005, Stephen Boccho, a vaunted television producer (“NYPD Blue”, “LA Law”), released “Over There”, billing it as the first serial television drama about an ongoing conflict. It earned some fanfare but little critical acclaim. No one watched it: the show was cancelled after only 13 episodes.

Supposedly there are only two types of stories: a stranger comes to town, and a man goes on a journey. The Iraq war is both, but everyone hates the stranger, and the journey was a dumb idea to begin with. Do you want to see that film? American audiences don’t—at least not yet—and for good reason.

— Benjamin Pauker, from The Trouble with War Games, which is worth adding to your instapaper queue.

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